Convento do Espinheiro: Évora’s Historic Hidden Gem

in
Europe,Portugal

People flock to Évora, Portugal, for the Chapel of Bones, the Roman ruins, and small-town life — but one of the most beautiful places to visit sits just ten minutes outside the city walls. Here you’ll find a spectacularly restored 15th-century convent, which is every bit as impressive as the sights of the town itself. If you’re in the area, be sure to visit the Convento do Espinheiro in Évora.

Archway set into the white walls at the entrance of Convento do Espinheiro, located outside of Évora, Portugal, under a deep blue sky with soft clouds

A Shepherd’s Vision

The Convento do Espinheiro was founded in the early 1400s, not long after a shepherd reported a vision of the Virgin Mary looming above a flaming thorn bush (espinheiro means “thorn bush,” or “bramble”, so you can think of this as the Convent of the Burning Bramble). Many centuries later, the convent is now owned by a hotel — but the chapel and nearby rooms remain open to the public.

Main chapel of the Convento do Espinheiro, located outside of Évora, Portugal, featuring a high arched painted ceiling in light shades of green, yellow, and coral, an ornate golden altar area, dark pews, and azulejo tiles on the walls

The convent has a long and rich history. Once the stomping ground of Portuguese nobility, it boasts exquisite artistic and architectural details that hint at a very wealthy past. But it hasn’t all been rosy here; the French looted important paintings during the Peninsular War in the early 1800s, and the convent fell into disrepair in the twentieth century. Fortunately, the chapel has been painstakingly restored, and everything from the 1801 paintwork to the richly gilded altar just dazzles.

Pure gold altar inside the church at the Convento do Espinheiro, located outside of Évora, Portugal, positioned above three majestic red velvet chairs

The Life of St. Jerome in Azulejos

One of the most striking features of the chapel is the excellent set of azulejos (blue tiles), most of which highlight moments from the life of St. Jerome.

Of particular note is the tile below, in which someone has scratched out the eyes of the devil (who is dressed up as a not very convincing temptress). It is probably just a fanciful tale, but legend has it that monks in the days of yore dug out the eyes so that the devil would not look upon their work.

Panel of blue and white azulejo tiles on the wall of the church at the Convento do Espinheiro, outside of Évora, Portugal, depicting St. Jerome kneeling before a cross in front of a rustic building while seven people watch. One onlooker is the devil, whose eyes have been gouged out of the tile

Lions are everywhere, since the lion is one of St. Jerome’s key attributes (a quick bit of Christian history: St. Jerome kindly and miraculously removed a thorn from a lion’s paw, and the lion remained his faithful companion).

Panel of blue, yellow, brown, and white azulejo tiles on the wall of the church at the Convento do Espinheiro, outside of Évora, Portugal, showing two lions flanking a cartouche with Portuguese text about St. Jerome

Marble, Memorials, and Side Chapels

The chapel has several great examples of intricate marblework …

Marble inlay square featuring black, white, and gold floral and swirl patterns, located in the church at the Convento do Espinheiro, outside of Évora, Portugal
Ornate marble inlay columns and dark wood spindles in front of a chapel with blue and white azulejo tiles in the church at the Convento do Espinheiro, outside of Évora, Portugal

… a few lovely side chapels …

Ornate Classical and Baroque chapel in the Convento do Espinheiro, outside of Évora, Portugal, adorned with dark marble, marble inlay panels, a prominent black cross, and a tomb
Richly decorated side chapel in the Convento do Espinheiro, outside of Évora, Portugal, featuring a statue set within an arched recess, surrounded by marble and painted surfaces in warm black, pink, beige, brown, and gold tones, with natural light from a circular window overhead

… and interesting grave markings in the floor (be careful not to trip over them as you’re looking around).

Organs and Fountains

Unfortunately, the majestic Portuguese Baroque organ no longer functions, but it remains a work of beauty.

Iberian pipe organ mounted on the wall of the church at the Convento do Espinheiro, outside of Évora, Portugal, featuring gold and teal detailing, set above azueljo tile panels

A small room to the side (likely the sacristy) is home to a fun fountain …

Marble relief carving of a lion’s face with a water spigot protruding from its mouth, located on the wall of the sacristy at the Convento do Espinheiro, outside of Évora, Portugal

… and more elaborate tilework.

Tile work surrounding a wooden door in the sacristy at the Convento do Espinheiro, outside of Évora, Portugal, depicting pink neoclassical columns and a pediment decorated with floral wreaths and vases

One of the best things is that you’ll usually have the chapel all to yourself.

View from the altar area of the interior of the main chapel at the Convento do Espinheiro, outside of Évora, Portugal, featuring a high painted ceiling, black and white checkerboard floor, organ, dark wooden pews, and azulejo tile panels on the walls

Walking the Grounds of the Convento do Espinheiro in Évora

Even if you’re not staying at the hotel, you’re welcome to wander around the grounds. Outside, it’s worth venturing to the small external chapel to see the many different renderings of goats (presumably associated with a particular family’s crest).

Be on the lookout for this somewhat creepy depiction of St. Lucia (she can usually be found holding a plate full of eyes, but I called this the eye key) …

Painting of St. Lucia on wood at the Convento do Espinheiro, outside of Évora, Portugal, depicting the haloed saint standing and holding a chalice with two eyes.

… and a statue of the Thorn Bush Virgin Mary herself.

Doll-like statue of Our Lady of Espinheiro (Thorn Bush Virgin Mary) wearing a fabric dress and cape, crowned and holding the infant Jesus, displayed under a bell jar at the Convento do Espinheiro, outside of Évora, Portugal.
Our Lady of Espinheiro

From the Cloister to the Wine Cellar

You can see the original architectural features of the convent by wandering through the cloister …

Cloister at the Convento do Espinheiro, outside of Évora, Portugal, featuring white walls, a bell tower, stone columns, and two stories of archways illuminated by evening light

… what is now the hotel’s wine cellar …

Cisterna wine cellar at the Convento do Espinheiro, outside of Évora, Portugal, featuring vaulted ceilings supported by stone arches and pillars, wine racks lining the walls, and a glowing marble display table at the center

… and the hotel’s two dining rooms.

 Interior of Restaurante Divinus at the Convento do Espinheiro, outside of Évora, Portugal, featuring white painted vaulted ceilings, arched passageways, dark wood flooring, and red fabric chairs

You don’t need much time to do all of this, but you can visit and then while away a very pleasant hour with a drink from the bar (try the wildly strong licor de poejo, or pennyroyal liqueur). No matter the time of day, it’s quite a place!

Exterior of the Convento do Espinheiro, outside of Évora, Portugal, showing the chapel with a cross atop and stone walls illuminated by moonlight on a partly cloudy night.\

After the Convento do Espinheiro in Évora: More Places to Explore

Planning a longer visit to Évora? Don’t miss my post on the best things to do in town.

Heading to Óbidos or Sintra? Don’t miss my posts on spending an afternoon in Óbidos and comparing Sintra’s stunning palaces.

One response to “Convento do Espinheiro: Évora’s Historic Hidden Gem

  1. Pingback: 36 Hours in Évora: Exploring the Heart of Portugal – Traveler Tina·

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